How to track every pitch from first email to the night it plays: leads, deals, stages, tasks, the board, the calendar, the funnel, and how it all connects to your tours.
The CRM lives on one screen: My Work > Booking Pipeline. It has three tabs, and they answer three different questions.
A lead is someone you could pitch. A deal is one actual pitch. That difference is the whole system: The Blind Pig is a lead; "Bloom at The Blind Pig on November 10 for $1,200" is a deal. The same lead can carry as many deals as you have dates and acts to pitch, each moving along on its own.

| Tab | What it holds | Use it to |
|---|---|---|
| Deals | Every pitch you are working, one card each. | See where everything stands, move deals along, and find what needs you today. |
| Leads | The venues and acts you have saved, plus leads you typed in yourself. | Look up a contact, read your notes, draft an email, and start a new deal. |
| Events | Community events that hire live music: fairs, festivals, brewery parties. | Find paid dates that never show up on a music calendar, and start a deal from one. |
If you only read one section, read this one. It takes you from nothing to a deal on the board with a next step attached.
A lead gets onto the Leads tab in one of three ways. Use the filter chips (All, Venues, Artists, My leads) to narrow the list.
Click any lead to open it. A lead is where the people and the history live; the pitches themselves are its deals.
| How it got there | What it is | How to remove it |
|---|---|---|
| You pressed the heart on a venue or artist | A venue or act from Cultivate's data, with its contact details and show history. | Press the heart on its row. It leaves your leads; its deals stay on the board. |
| You pressed + Add Lead | Something not in Cultivate yet: a venue you are scouting, a referral, someone you met. | Press the heart on its row. This deletes the lead. |
| You opened an event on the Events tab | A community event that hires music. It is not saved until you press its heart or start a deal from it. | Nothing to remove. |
There are four ways to start a deal. Use whichever is closest to hand; they all create the same thing.
Click a card or row to open a deal. Everything on it saves as you go: typed fields when you click away, everything else the moment you change it.

| Start it from | How |
|---|---|
| A lead | Open the lead and press + New Deal. The lead is filled in for you. |
| The board | Press + New Deal on the Deals tab and choose who it is with. Pick "Someone new" to type a name; it is saved as a lead too. |
| A tour | In the Tour Planner, set a stage on a stop's venue, or press ASK on a venue. A deal opens for that venue and that stop's date. |
| Ask the Data | Say it in words: "open a deal with The Ark for March 14, Bloom, $900". |
A deal moves left to right. You can skip stages, and you can move a deal backwards. Every move is recorded with its date in the deal's Stage history.
Lost is not a failure state to hide. Moving a deal to Lost with a reason is how the Funnel report learns where your deals fall over.
| Stage | It means | Move it here when |
|---|---|---|
| Researching | You are looking at it. Nobody has been contacted. | You start thinking about a venue or a date. |
| Pitched | You have asked. The ball is in their court. | You send the first email or make the first call. |
| In conversation | They answered and you are talking. | You get any real reply. |
| Hold | They are holding a date for you. | They confirm a hold. Set your hold position and, if they gave you one, the day it lapses (Until). |
| Offer | Money and terms are on the table. | An offer is made, by either side. |
| Confirmed | The date is agreed. | Both sides say yes. |
| Contracted | The paperwork is signed. | The contract or written confirmation is back. |
| Played | The show happened. | Nothing to do: a confirmed or contracted deal moves here by itself the day after its show date. Then tick Paid on the deal when the money is in. |
| Lost | It is not happening. | They pass, the date goes, or you walk away. Add the reason. |
The Board view is the default on the Deals tab. Drag a card to another column to change its stage. Use the search box to narrow the board to an act, a venue or a city.
Each card tells you five things at a glance.
| On the card | What it tells you |
|---|---|
| Title and the line under it | Who the deal is with, and the act (or the city when no act is set). |
| Date chip | The show date, or the range you pitched. |
| Green amount chip | The money. |
| HOLD UNTIL chip | A deal on hold with an expiry: the day the venue releases it. Amber, then red within three days or once it has lapsed (HOLD LAPSED). |
| Purple tour mark | The deal is on a tour stop. Hover for the tour's name. |
| Number with a d, at the right | Days the deal has sat in this stage. |
| Bottom line | The next open task and its due date. "No next step" means a deal that is waiting on an answer has nothing scheduled. |
A task is one thing you need to do for a deal, with an optional due date. A deal can have as many as you like. Tasks are what keep a pipeline moving, so the CRM shows them in several places.
Notes on a lead are about the place or the person in general. Notes on a deal are about that one pitch. Keeping them apart means the history of last year's show does not bury what you need to know about the venue.
Both are dated automatically, newest first. Type in the box and press Add Note; nothing saves until you do. You can edit or delete a note afterwards.
Press List on the Deals tab for one row per deal, sorted by stage and then show date. It is the fastest way to scan everything, and the only place you can change several deals in one go.

Press Calendar on the Deals tab to see deals by show date, a month at a time. Each deal is a chip on its date, coloured by stage. A deal pitched for a range of dates shows on every day of the range, lighter after the first. Lost deals are left off. Deals with no date yet are listed under the month.
The number on a chip is Night Pressure for that night in the deal's market: a 0 to 100 score for how crowded the night already is, from the music shows and community events on record there. It is the same score as the Competition Grid. Hover a chip to read the verdict in words. A 96 on a Saturday means you are fighting for the audience; a 20 means the night is open.

Press Funnel on the Deals tab. It answers four questions: how far do my deals get, where do they stall, how often do I win, and where do I lose?

| On the report | How to read it |
|---|---|
| Win rate | Won deals divided by won plus lost. Open deals are not counted either way. |
| Days to book | The average time from opening a deal to its first Confirmed. |
| How far deals get | One bar per stage: the number of deals that reached that stage or went further. |
| "% go on" | Of the deals that reached this stage, the share that reached the next. A low number is where your pipeline leaks. |
| "avg d" | Average days a deal spent in the stage before moving. |
| "now" | Deals sitting in the stage today. |
| By venue type, state, lead kind | Where you win and lose. A venue type with a low win rate may not be worth the emails. |
| Why deals were lost | Your own reasons, counted. Only as good as the reasons you type on lost deals. |
A deal with a venue can sit on one stop of a tour. Once it does, the two follow each other: you can work from the Tour Planner or from the board, whichever you have open, and the other side keeps up.
You rarely need to link by hand. Setting a stage on a stop's venue in the Tour Planner links the deal to that stop. And when any venue deal with a show date reaches Hold, it looks for a stop on that date in your tours, either already at that venue or an open date in the venue's city, and puts itself there. If the stop had no venue, the venue is filled in.
To link or unlink by hand, open the deal and use Tour stop. Unlinking deletes nothing.
| You do this | This follows |
|---|---|
| Move the deal to Hold, Offer or Confirmed | The stop's status becomes Hold, Offer or Confirmed. |
| Move the deal to Lost | The stop's status becomes Passed. |
| Set an amount on the deal | The stop's guarantee is filled in, if it had none. |
| Set the stop to Hold, Offer, Confirmed or Passed | The deal moves to match. If the stop had no deal, one is opened. |
| Change the stop's date | The deal's show date changes with it. |
| Swap the stop's venue for another | The old deal comes off the stop and stands on its own. |
Ask the Data can read and change your pipeline in plain words. A question costs from 1 AI credit. Some things to try:
| Question | Answer |
|---|---|
| Where did the Contacted / Replied / Booked buttons go? | They became deals. A lead's stage is now the stage of its most recent deal. Leads that already had a stage were turned into deals for you: Contacted became Pitched, Replied became In conversation, Booked became Confirmed. |
| Can I pitch the same venue twice? | Yes. Open the lead and press + New Deal again. Each date or act is its own deal. |
| I moved a card by mistake. | Drag it back. Both moves are kept in the deal's history. |
| A card moved to Played on its own. | Its show date passed. Confirmed and contracted deals move to Played the day after the show. If the show did not happen, move the deal to Lost and say why. |
| How do I get rid of a deal? | If it fell through, move it to Lost and say why; it stays in your record and in the Funnel report. If it was a mistake, open it and press the bin. |
| If I remove a lead, what happens to its deals? | They stay on the board with the name they had. |
| Why is a card amber? | It has been waiting on an answer for 14 days or more. Follow up, add a task, or move it to Lost. |
| Why is there no number on a calendar chip? | Night Pressure needs a market. It shows for upcoming dates on deals with a venue or event. |
| Does anything send email for me? | No. Outreach drafts are written for you to copy or open in your own mail. The only email Cultivate sends you is the weekly digest. |
| Does Cultivate know when I email a venue? | Only when you tell it. Start the email from the lead and answer Sent when you come back, and the pitch is logged on the deal. An email you write from scratch in your own mail is not seen: drag the card to Pitched yourself. |
| Who else can see my deals? | Only the people with a seat on your account. |
In the console: My Work > Booking Pipeline. Press ? on that screen for the short version, or open the screen if you are signed in. The screen's own page: Booking Pipeline.